Project 2 — More rough comps and a second look at others

I’ve reworked a couple of my first rough comps, and created some new ones.

I struggled with text treatment on some of these iterations, so I have included a couple of inspiration images that use text more like what I’ve envisioned for this project.

After selecting a layout to move forward with, I want to find the best font for that treatment, then experiment with text manipulation. I also want to hone my color palette, based on my final design choice, and to choose the best portrait to use.

Sat UpLeft Face Mockup-01

This image incorporates a color scheme similar to palettes Rodchenko worked with, and uses rule of thirds composition. It includes text treatment and bars of color modeled after Rodchenko’s work.

Sat More Mockups-01

This image uses a color palette and text treatment modeled after Rodchenko’s work. I’ve modified his megaphone / sunburst design to draw attention to the portrait in the image, and evoke Rodchenko’s earlier work. Text treatment and rule of thirds is also used, after Rodchenko’s style.

Poster Vertical Final CutEdit-01

This Rodchenko-inspired image uses a similar color palette and fonts to Rodchenko’s work. The angled text and lines evoke his megaphone from his famous “Books” poster. The blocks of color and font choices are also inspired by Rodchenko. However, I’ve added my own perspective to address a modern headline in this image.

Poster Horizontal MockupsFinal CutEdit_Alvertis

This image is a reinterpretation of Rodchenko’s “Books” poster. It incorporates similar graphic elements, but modifies the portrait used. The color palette, font choices and rule of thirds composition mimic Rodchenko.

This is a type of text treatment I would like to imitate in several of my poster iterations.

This is a type of text treatment I would like to imitate in several of my poster iterations.

More Mockups-01

I would like to explore color and text treatment more in this iteration of my Rodchenko-inspired mockups. I envision the text looking different from what I have been able to do with it so far. The color scheme and blocks of color are inspired by Rodchenko. I’ve taken a portrait dropped into a circle with strong diagonal lines, representative of a megaphone and reinterpreted them to fit a modern theme.

I would like my text treatment to look more like this in some of my mockups.

I would like my text treatment to look more like this in some of my mockups.

Poster Vertical Mockups-1-03

This poster imitates Rodchenko’s penchant for opposite hand work, and rule of thirds composition. It echoes his blocks of color and uses similar font treatment. The image in a circle may evoke his earlier work that featured a woman shouting “Books.”

 

Poster Horizontal Mockups-board 5-02

This mockup mimics Rodchenko’s use of repetition (think the bottles poster). It reinterprets the megaphone (shouting a message) seen in his “Books” poster. Fonts, color choices and rule of thirds composition also imitate Rodchenko.

Project 2 — Rough Comps

I’ve experimented with several possible treatments for my “Black Lives Matter” poster, using Alexander Rodchenko as my inspiration. I’m not sure I love any of these, enough to move forward with it, so I will keep experimenting.

I created these comps using a CMYK color profile. It’s interesting to see how differently it has rendered them in RGB for Web. My colors are actually a bit more muted.

Poster Vertical Mockups-1-01

Poster Vertical Mockups-1-02

Poster Horizontal Mockups-1RECTANGLE-03

Poster Horizontal Mockups-board 5-02

Poster Vertical Mockups-1-03

Alexander Rodchenko Design Brief and Inspiration

Project 2 Design Brief and Inspiration

PROJECT 2: News Headline Poster Design DESIGN BRIEF

  1. What is the current news headline you’ve decided to work with and why?

I chose “Black Lives Matter” as my headline because I think it adapts well with Rodchenko’s style and the historic context that Rodchenko worked in, particularly for his earlier works.

2.  Which historically significant designer are you using as an inspiration? List any interesting or relevant biographical details about this person? 

Alexander Rodchenko is the designer I am using as an inspiration. Rodchenko was born in 1891, in Saint Petersburg, Russia, to working class parents. He grew to adulthood just prior to WWI, and became a prominent Russian Avant-garde artist, who did pioneering work in Constructivism.

Rodchenko studied at the Kazan School of Art and later relocated to Moscow. Rodchenko’s work was influenced by Cubism and Futurism and reflected his commitment to the Russian Revolution’s ideals. He worked not only in graphic design, but in photography and painting, although he abandoned painting in the 1920s, to return to it late in his life.

Rodchenko worked freely under Lenin’s leadership, but when Stalin came to power in Russia, Rodchenko appears to have struggled to balance his art and political ideals under the new regime. His photography was banned from several exhibits, yet he managed to escape official sanctions.

Some of Rodchenko’s most well-known work was his early graphic design posters, which have influenced countless artists since his time, including Shepard Fairey, Barbara Krueger and Franz Ferdinand. His posters were used as government propaganda and advertising art in the late 1910s and 1920s. The Stalin government changed its visual message and moved away from using Rodchenko’s work.

In 1928, Rodchenko joined “October Circle” of artists, but was later charged with “Formalism.” After this, he explored painting and abstract expressionism. He died in Moscow in 1956.

Learn more about Alexander Rodchenko here.

Rodchenko 13. Describe the visual elements within this designer’s work? What typeface or type style does he/she incorporate? Color palette? Layout and grid style? Is this designer included in a particular genre, era, and/or historical design cannon?

Rodchenko used primarily display type fonts in his poster work. He established a visual hierarchy by using varied sizes of type, rather than capitals and lower case.

Rodchenko 2His color palette featured bold reds, orange-reds, deep blues and greens, against a newsprint-like background. He incorporated geometric designs and symmetry into his work, although many of his prints used asymmetrical balance.

As discussed in his bio, Rodchenko pioneered the Constructivism movement and was a part of the Russian Avant-garde. Some of his later works explored Productivism (which brought art to everyday life), and he was influenced by German DADA, Futurism and Cubism.

4. Discuss relevant themes, concepts, or issues from your designer’s work? i.e. political, corporate, educational

Rodchenko allowed his work to be used by the Russian government, primarily under Lenin’s leadership. Some served as political propaganda and other posters were used as advertising for products and films. Rodchenko supported the Bolshevick working class ideals, but this message isn’t as prominent in his work as one may think. His support for labor was more evident in the fact that he allowed the government to use his work as propaganda and advertising.

Rodchenko 6In the early 20s, Rodchenko declared painting was dead. After this, he focused on graphic design, photography and photomontage works.

He continued to work under the Stalin government, but few personal anecdotes from his life survive. Retrospectively, we are left to surmise that he struggled to pursue his art, and not be branded an enemy of the Stalin regime. It appears he was successful, in that he worked as an artist until his 1956 death, and was not officially sanctioned by the government, although his work was heavily censored under Stalin.

5. What connections (aesthetic and/or conceptual) can you make with your news headline and your designer?

“Black Lives Matter” has become a rallying cry in the U.S., following the killing of unarmed black teen, Michael Brown, by police. It’s hard not to notice the similarity in the message being broadcast to many today, with the labor movement in Russia in the late 1910s–1920s. Though the messages differ, each became a call to action.

However, because the Russian Revolution was successful in overthrowing the czarist government, the new Russian government became the entity sending out the message. Rodchenko’s designs were used as a part of the government’s propaganda, as well as for other advertising. So, what started as a movement of the people, similar to the “Black Lives Matter” movement today, became a part of a government sanctioned propaganda machine.

Rodchenko’s bold colors, text and geographic lines lend themselves well to posters used as a call to action.

6. On your blog post examples of your designer’s work along with any other relevant details you’ve discovered during this research process.

Inspiration from Alexander Rodchenko — for poster project.

 

 

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